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Year=2020 Nushrat Bharucha Country=India. जिस जिस नू पसंद आया हो तो Hit like ❤️❤️❤️💋💋💋💋💋 please comment here 🥰😗💋💋💋💋💋💋💋💋. Bhay mera friend he. Hansal Mehta Born 1967/1968 (age 51–52) [1] Occupation Film director, producer, writer Years active 1993–present Home town Mumbai, Maharashtra, India [1] Spouse(s) Safeena Husain Parent(s) Kishori Mehta (mother) Awards National Film Award for Best Direction, Screen Award for Best Screenplay Hansal Mehta is an Indian film director, writer, actor and producer. Mehta started his career in television with his show Khana Khazana (1993–2000) and later moved on to movies like …Jayate (1999), Dil Pe Mat Le Yaar (2000) and Chhal (2002). He is best known for Shahid (2013) for which he won the National Film Award for Best Direction. He then went on to direct City Lights (2014), Aligarh (2016), [2] Simran (2017) and Omerta (2018). Personal life Hansal Mehta is a Gujarati, born in a middle class family from Mumbai. [1] Career Mehta started his career in 1993, by directing with TV cookery show Khana Khazana, thus launching the television career of celebrity chef Sanjeev Kapoor on Zee TV. Alongside, Mehta also directed several television series like Amrita (1994), Highway (1995), Yaadein (1995), Lakshya (1998), Neeti (1998) and many more. He made his debut as a feature film director with.., a part of the Indian Panorama 1999-2000 at the International Film Festival of India (IFFI), Hyderabad. This was later followed by Dil Pe Mat Le Yaar!! (2000) a bittersweet migrant tale set in Mumbai. This film, though not a huge box-office success continues to enjoy a following for its dark humour and its exploration of life on the fringes of Mumbai. Later that year he came up with Chhal (2002) a stylised gangster film that met with more praise than his previous films. By his own admission the films post-Chhal were disappointing and his career entered a phase where he flirted with formulaic mainstream themes. He made his presence felt with a short film in Dus Kahaniyaan, (2007) titled High on the Highway, which was basically a retelling of a short (Highway) that he directed for television in 1995, based on a script by Vishal Bhardwaj. In 2008 after the release of Woodstock Villa he went on an extended sabbatical to explore life as a foodie, entrepreneur and to explore themes that mattered to him. [3] Mehta truly came into the lime-light with his film Shahid (2013) starring Rajkummar Rao. Shahid had its world premier at the 2012 Toronto International Film Festival following which it had an extended run at various international film festivals around the world. This film was later acquired by Disney-UTV and commercially released in October 2013. A biographical film on the life of human rights lawyer Shahid Azmi, who was murdered in 2010. [3] [4] this film continues to shine a light on human rights and the Indian judicial system and is highly rated on various digital streaming platforms like Netflix and Amazon Prime. Hansal was honoured with the 61st National Film Award for Best Direction while Rajkummar Rao won the 61st National Film Award for Best Actor for Shahid. After their success together, Hansal Mehta teamed again with Rajkummar Rao to make the acclaimed City Lights (an official adaptation of the British Indie hit ' Metro Manila ') for Fox Star Studios and Mahesh Bhatt. After Citylights, Mehta directed, Aligarh (2016) based on a Marathi professor and poet who was suspended by his university for being gay. This film premiered at the 20th Busan International Film Festival followed by the BFI London Film Festival. Aligarh was the opening film at the 17th Jio MAMI Mumbai Film Festival. Based on a script by his long time collaborator Apurva Asrani (previous collaborations Chhal, Shahid, Citylights) Aligarh featured three of Mehta's favourite actors Manoj Bajpayee (with whom he reunited after Dil Pe Mat Le Yaar in 2000), Ashish Vidyarthi (after Highway in 1995) and Rajkummar Rao (their third collaboration since Shahid). Aligarh was presented and co-produced by Eros International. Filmography Key Denotes films that have not yet been released Release Dates Title Notes 1993–2000 Khana Khazana 1994 Amrita 1996 Kalakaar 1999 Dooriyan 2000 Dil Pe Mat Le Yaar!! 2002 Yeh Kya Ho Raha Hai? 2007 Dus Kahaniyaan ( Anthology film) High on the Highway directed 2008 Woodstock Villa 2010 Raakh 2013 Shahid 2014 CityLights 2015 Aligarh 2016 The Last Letter Short film 2017 Simran Bose: Dead/Alive Web series 2018 Garbage Producer Omerta 2019 The Accidental Prime Minister Creative producer Turram Khan Filming [5] Awards National Film Award for Best Direction 2013: Shahid [6] References External links Hansal Mehta on IMDb Hansal Mehta at Bollywood Hungama This page was last edited on 8 January 2020, at 17:28.

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Already recognised as one of India’s best known theatre personalities and India’s youngest Padma awardee in theatre, playwright-director-actor Mohammad Ali Baig has received multiple national and global honours and awards. This time, beginning August first week, his well-known play, “Quli: Dilon ka Shahzaada”, as well as his new production “1857: Turrebaz Khan” have both been invited to the Edinburgh Fringe Festival 2016. While “Quli” has already seen several productions across the world, “Turrebaz Khan” will be premiering at the Edinburgh Fringe Festival, before travelling to London and then returning to Hyderabad. Excerpts from an interview: Tell us about your new play, “1857: Turrebaz Khan”, and its central character? Turrebaz Khan was a heroic figure in Deccan history, known for his valour and courage. There is a slang in Hyderabad folklore, a positive one — “Turram Khan”. When you call someone that, you are calling him heroic. That comes from Turrebaz Khan’s name. He was a revolutionary figure freedom fighter, who revolted against the ruling design of the 4th Nizam of Hyderabad and the British. He attacked the British residency, which now houses the women’s college in Koti in Hyderabad, to free his comrade who was detained on charges of treachery without a fair trial by the British. He was caught and detained, but even the jail he was put in couldn’t hold him. After a year, he escaped, and then was caught in the forest of an area called Toopran, near Hyderabad. The man who caught him, Qurban Ali Baig, was the talukdar there. Turrebaz Khan was kept in captivity, then shot, and then his body was hanged in the centre of the city to prevent further rebellion. That is his story. When you read about 1857, places like Delhi, Meerut, Lucknow, Jhansi and Mysore, all of them are mentioned, but Hyderabad isn’t. This is because the Nizams were allies of the British, and there was no reason to fight. But with Turrebaz Khan, there came a brief period when Hyderabad joined the struggle, the uprising. Does the play follow Turrebaz Khan’s life? No, the structure of the play is very interesting actually. It follows the last one hour of his life in captivity, and that one hour is also the duration of the play. It shows the difference between the man who has been captured, and his captor, Ali Baig. They are both sons of the same soil, are of the same colour, but they stand on opposite sides. Ali Baig has allied with the British. He is a man who is privileged in more ways than one, and he has no problem with who his allies are — Indians, British, French. His life is about his own family and prosperity. From his point of view, Turrebaz is “naïve”, and immature. For Turrebaz, Ali Baig has a self-serving agenda. How does the play deal with this clear difference between the two men? There are two people, one placating the system, another one going against it in the name of his motherland. Neither one is shown as the villain. Both are victims of their situation. The play is about discrimination and about oppression, two issues that are relevant anywhere in the world. It can be discrimination of blacks and whites, of haves and have nots, east and west. The play brings both sides of the story out by bringing out both characters. There is very interesting wordplay between the two, philosophical debates which explore different sides of the story. At one point, Ali Baig says to Turrebaz that you talk about leaving your home to fight for your motherland, but what about your own mother at home? What about your aging father, who needs you? Before you, there have been so many others who tried to revolt against the British empire, and look what happened to them. To this, Turrebaz replies that his motherland is more important to him than his mother; that if he is killed, the world will remember him. No one will remember Qurban Ali Baig. There are many such debates and wordplay between the two characters and the play is an intense drama. I’ve used live percussion— marfa, dhol, etc. — to complement the dialogues. The research must have been challenging. Do you supplement it with a lot of fiction? A lot of research went into this play. It is definitely a challenge, because you can’t fictionalise plays like these too much. You have to pay due respect and maintain sanctity, when you portray these historical figures, since there is no one around to correct the errors. Forget political correctness, you have a responsibility of not putting them in a light that is not morally and ethically right. You can’t sit in judgement. For this play, we have picked the aspects of the story that are relevant to today’s global scenario, since it has to make sense to lot of audience everywhere. My wife, Noor, who is also my co-playwright, has done most of the research, and a lot of it is also based on research by authorities who have written on Turrebaz. You spoke about the need to make your play’s relevance to audience across the world. Tell us about the responses you get from these audience? How do you see them connecting to your work? If you take “Quli”, which is the legendary love story on which Hyderabad is supposed to be founded, or “Spaces”, which is about the thought of sticking to your home and heritage, and about traditionalism versus modernism; both could be about people and lives anywhere in the world. We don’t stick to judgement; we don’t say who is right and who is wrong. Our purpose is to bring out an issue, and let the audience decide their own views. I’ve taken these plays to English, Turkish, Romanian, Bosnian, Iranian, American audiences, to name a few. “Spaces” moves them to tears; many of them come backstage to me and tell me that this is their story. “Quli” too, sees the audience connecting to it. When they are moved, it moves me as a playwright; it shows me that the kind of theatre I believe in is working, that despite the barrier of language and context, people can connect with these plays. I hope that “1857: Turrebaz Khan” will do that same. Your productions, held in forts and ruins, are known for usually being larger than life. How difficult is it to travel with these productions? The earlier plays that I mounted were really huge and I was stuck with own vision of them, so we couldn’t travel. But since the last few plays, like “Spaces”, “Quli” and now “Turrebaz”, I’m still mounting them on a big scale, but I’ve tried to make them production sensible. I keep the portability in mind, so that now we are travelling light, but the end result is still grand. Of course, adapting a play I stage in forts and ruins to a festival setting is difficult, but so far, we have managed to do it successfully.

Super Bhai. It really works try it♥️. YouTube. Omg it really works 😱. NAGABABU,8498966225. Omg 3peoples follow me OMG 🖕🖕😱😱. Dhilon 🥇🥇🥇. Many people are looking for right person instead trying to be the right person❤🌸👑. Sirra dhillon nd banni Sandhu, love you mam thonu. Mujea buiet pisend ha. Turam sursuri. (Redirected from Turram Khan) Chhalaang Theatrical release poster Directed by Hansal Mehta Produced by Ajay Devgn Luv Ranjan Ankur Garg Bhushan Kumar Written by Luv Ranjan Aseem Arrora Zeishan Quadri Starring Rajkummar Rao Nushrat Bharucha Music by Songs: Guru Randhawa Vee Tanishk Bagchi Score: Hitesh Sonik Cinematography Eeshit Narain Edited by Akiv Ali Production company T-Series Films Luv Films Ajay Devgn FFilms Distributed by Yash Raj Films Release date 12 June 2020 [1] Country India Language Hindi Chhalaang is an upcoming Indian Hindi -language social black comedy film directed by Hansal Mehta starring Rajkummar Rao and Nushrat Bharucha. [2] It is produced by Ajay Devgn, Luv Ranjan, Ankur Garg and Bhushan Kumar. [3] The plot is set in a small town of Uttar Pradesh. [4] It is set to release on 13 March 2020 worldwide. [5] [6] But now the release date change to 12 June 2020 [7]. Cast [ edit] Rajkummar Rao as Montu Nushrat Bharucha as Neelu Jatin Sarna as Dimpy Mohammed Zeeshan Ayyub Production [ edit] Hansal Mehta announced the film on 10 August 2018 with the title "Turram Khan" and Rajkummar Rao in the lead role opposite Nushrat Bharucha. In 2019, Mohammed Zeeshan Ayyub joined the film to portray a supporting role. Principal photography for the film began in late-2018. In June 2019, Rao and Mehta, along with Ayyub, were spotted filming a kabaddi scene in Mumbai 's Film City. [8] In December 2019, the title of the film was changed to "Chhalaang", [9] which means "Jump". [10] Release [ edit] Initially planned for release on 31 January 2020, it was announced on 26 December 2019 that the film has been postponed to 13 March 2020 then, It was further scheduled to 12 June 2020 [1] References [ edit] External links [ edit] Chhalaang on IMDb Chhalaang on Bollywood Hungama.

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